Summary

Boasting an impressive ensemble cast,Life(2017) was an underrated sci-fi horror film that, despite a recycled core concept, managed to successfully challenge one of the oldest horror tropes in Hollywood. Ryan Reynolds, Jake Gyllenhaal, and Rebecca Ferguson were all big names at the time, having all been leads in some of Hollywood’s biggest properties throughout the 2010s. But unlike most films with such an impressive roster,Lifesubverted expectations with its use of the cast and left audiences shocked.

The premise ofLifeconcerns a crew of astronauts who are on an expedition to unearth and study alien life. When they find an organism, nicknamed Calvin, their exciting discovery quickly turns into a horror story. Calvin can absorb organic material, killing an individual and in turn growing in both size and physical power, with a seemingly limitless potential. The film spirals into a desperate attempt to survive and stop Calvin from reaching Earth, where his killing spree would be unstoppable. This premise is familiar to many sci-fi horror fans. However,one aspect ofLifeelevated the filmfrom formulaic to shocking.

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Life Review

Despite some promising elements, Life amounts to a middling (and derivative) sci-fi horror/thriller that never fully realizes its potential.

Life (2017)’s First Death Was One Of The Cast’s Biggest Stars

What shockedLifeaudiences most was its first death, given the all-star trio leading the cast.A reasonable assumption would be that this trio would survive the majority of the film, while the less recognizable cast members act as cannon fodder for some gruesome deaths and motivational sacrifices. But, in a twist,Ryan Reynolds' characterwas the first to go, in a horrific scene where Calvin enters his body through his mouth and consumes him from within. The scene was stunning, as Reynolds had seemed to be the film’s lead up until that point, but it was also a fantastic way to get audiences invested.

Unlike franchises likeScream, who have often used misleading stunt opening deaths,Lifeplayed out like Reynolds was the lead. The camera seemed to focus on him the most, his character was optimistic and good at his job, and the movie successfully sold his dynamics with the rest of the crew. To cap it all off,Reynolds also featured heavily in the movie’s marketing. But, as it turned out, it was all an ingenious way to make his death all the more heartbreaking, subverting horror tropes effectively in a hard-hitting, brutal scene that remains the film’s most memorable moment.

Hiroyuki Sanada’s Sho stares at Calvin in terror from Life 2017

Life Killing Off Ryan Reynold’s Character Set The Tone For The Movie

With this shocking death,Life’s tone was set. No one was safe, and now the audience knew it. Anypresumptions about top-billed actors being safe just because of their status were quickly put to bed, and despite the press run Reynolds and Gyllenhaal went on together, it meant little to their roles in the film. Gyllenhaal andRebecca Ferguson’s charactersmay have been presumed safe before, but now they were fair game to Calvin’s onslaught, and it made the sci-fi horror an even more tense and unpredictable watch.

Ryan Reynolds, who had previously worked with several of the creators on the project, had his thoughts on his character’s untimely demise when he spoke toCinemaBlendin 2017.

Ryan Reynolds, Jake Gyllenhaal, and Rebecca Ferguson in Life Movie Poster

I just wanted to see it implemented how much those guys hate me. And that’s really what we’re seeing on the screen – let’s put him in the movie, and let’s kill him right away… It was good to do a half a movie with them again. I like it. I like it when we undermine convention and expectation in inventive ways. So if anyone really knows movies, ‘Oh, Ryan’s worked with Daniel, and with Rhett and Paul. They’re going to take good care of him,’ you know? No, he’s X-ed out right at the beginning there.

Reynolds' previous collaborations were a fact that may have swayed more interested fans into having even more faith in the character’s survival, but it was this very idea that seemed to excite Reynolds about the potential of such a twist.

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I Predicted Gyllenhaal’s Character Was Going To Be Last Survivor After Reynolds’ Died

A horror movie almost always has a “last man standing”. In 1979’sAlien, no doubt a major inspiration forLife, the film kicks off with a broad ensemble and few indications of whom the true lead is. John Hurt’s Kane would seem to be it initially, but then he dies. Dallas would then seem to take the role, but then he dies, and more and more of the crew are slowly killed by the titular alienuntil Sigourney Weaver’s Ripley becomes the defacto lead.Lifetakes a very similar approach, but its stardom still betrays how it will end.

Reynolds' death was shocking, but Gyllenhaal and Ferguson quickly became the focus, and it was obvious one of the two would be the film’s final survivor. While movies likeAlienprove that shifting character focus can be effective,Lifeprioritizes Gyllenhaal and Ferguson to the extent that they benefit from more character development than anyone else. Investing so much time in their arcs made it clear that they would remain central to the story. Even thoughLife’s twist ending, which suggests that everyone on Earth is doomed, means that there are no real survivors, the movie still becomes more predictable after Reynolds' shocking departure.